Yamaha DX7, bass
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 2 saw -1 unison, tight, unison 3, detune 14 cents, sub none, noise 0.05
- filter
- LP 24 dB/oct
- cutoff
- 360 Hz
- resonance
- 0.35, drive 0.1
- envelope
- A 9 ms D 140 ms S 0.4 R 65 ms; opens sharply then decays with the amp envelope; filter env amount 0.17
- modulation
- glide 24 ms, mono
- effects
- 1/8 dotted delay, small room reverb, none
- notes
- The low end is a 2 saw -1 unison, tight synth bass carrying the song's root movement, filtered lp 24 db/oct around 360 Hz so it stays taut rather than boomy; a short, punchy amp envelope. Written for Nakamori's 1984 album Anniversary; gear and style approximated from the album's documented production (arranger/producer credits: Ichizō Seo; period gear: Yamaha DX7 (newly ubiquitous in 1984 Japanese studios), Roland Juno-106 and a LinnDrum).
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
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Who played it
Nobody credited yet.
Samples
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Revision history
- Seedsystem