Yamaha DX7, pad
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 2 saw + 1 tri, wide detune, unison 3, detune 28 cents, sub square -1, noise 0.11
- filter
- LP 24 dB/oct
- cutoff
- 2540 Hz
- resonance
- 0.28, drive 0.08
- envelope
- A 657 ms D 483 ms S 0.6 R 659 ms; opens sharply then decays with the amp envelope; filter env amount -0.51
- modulation
- lfo tri 1.3 Hz to cutoff
- effects
- stereo chorus, medium hall reverb, none
- notes
- A sustained pad of 2 saw + 1 tri, wide detune washes under the track, lp 24 db/oct filtered with a slow LFO breathing the cutoff, giving the chorus its width. Written for Nakamori's 1984 album Possibility; gear and style approximated from the album's documented production (arranger/producer credits: Ichizō Seo; period gear: Yamaha DX7, Roland Juno-106 and Jupiter-8, LinnDrum).
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
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Who played it
Nobody credited yet.
Samples
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Revision history
- Seedsystem