Oberheim DMX, bass
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 2 saw -1 unison, tight, unison 3, detune 12 cents, sub sine -1, noise 0.04
- filter
- LP 24 dB/oct
- cutoff
- 900 Hz
- resonance
- 0.24, drive 0.17
- envelope
- A 13 ms D 151 ms S 0 R 202 ms; quick pluck-open on the attack, closes into the sustain; filter env amount -0.06
- modulation
- glide 80 ms, mono
- effects
- stereo chorus, medium hall reverb, none
- notes
- The low end is a 2 saw -1 unison, tight synth bass carrying the song's root movement, filtered lp 24 db/oct around 900 Hz so it stays taut rather than boomy; a short, punchy amp envelope. Written for Nakamori's 1986 album Fushigi; gear and style approximated from the album's documented production (arranger/producer credits: Akina Nakamori (self-produced) with session arrangers; period gear: Yamaha DX7 and a Fairlight CMI IIx, Roland Juno-106, Oberheim DMX drum machine).
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
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Who played it
Nobody credited yet.
Samples
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Revision history
- Seedsystem