Synth.Directory

Oberheim DMX, bass

Unverified Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it

Contest: Oberheim DMX played bass on Wait for Me by Akina Nakamori (1986)

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Settings

osc
1 saw -1 + sub sine -1, unison 4, detune 12 cents, sub none, noise 0.06
filter
LP 24 dB/oct
cutoff
800 Hz
resonance
0.28, drive 0.23
envelope
A 1 ms D 102 ms S 0.4 R 176 ms; snappy envelope-driven open/close per note; filter env amount -0.34
modulation
glide 44 ms, mono
effects
spring-adjacent plate reverb, subtle chorus, none
notes
The low end is a 1 saw -1 + sub sine -1 synth bass carrying the song's root movement, filtered lp 24 db/oct around 800 Hz so it stays taut rather than boomy; a short, punchy amp envelope. Written for Nakamori's 1986 album Fushigi; gear and style approximated from the album's documented production (arranger/producer credits: Akina Nakamori (self-produced) with session arrangers; period gear: Yamaha DX7 and a Fairlight CMI IIx, Roland Juno-106, Oberheim DMX drum machine).

Sources

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Samples

Recordings of the instrument set to these settings, made fresh by contributors. Never a clip of the record.

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Revision history

  • Seedsystem