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Yamaha DX7, lead

Unverified Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it

Contest: Yamaha DX7 played lead on Femme Fatale by Akina Nakamori (1988)

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Settings

osc
2 saw +7 cents, unison 3, detune 22 cents, sub none, noise 0.12
filter
LP 12 dB/oct
cutoff
2540 Hz
resonance
0.43, drive 0.22
envelope
A 60 ms D 352 ms S 0.9 R 358 ms; opens sharply then decays with the amp envelope; filter env amount 0.36
modulation
lfo tri 1.64 Hz to pitch, glide 9 ms, mono
effects
stereo chorus, medium hall reverb, drive
notes
The lead line is built from 2 saw +7 cents, cut lp 12 db/oct near 2540 Hz with the filter opens sharply then decays with the amp envelope; it sits on top of the arrangement carrying the vocal-answering hook. Written for Nakamori's 1988 album Femme Fatale; gear and style approximated from the album's documented production (arranger/producer credits: Alan Gorrie / Scott Wilk; period gear: Yamaha DX7II, Roland D-50, Emulator II sampler, Oberheim Matrix-12 — cut with Alan Gorrie (Average White Band) on the writing/arranging side, leaning the record toward synth-bass funk).

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Samples

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Revision history

  • Seedsystem