Yamaha DX7, bass
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 1 saw -1 + sub sine -1, unison 3, detune 20 cents, sub sine -1
- filter
- LP 24 dB/oct
- cutoff
- 860 Hz
- resonance
- 0.21, drive 0.08
- envelope
- A 2 ms D 173 ms S 0.4 R 54 ms; quick pluck-open on the attack, closes into the sustain; filter env amount 0.11
- modulation
- glide 36 ms, mono
- effects
- hall reverb, stereo chorus, drive
- notes
- The low end is a 1 saw -1 + sub sine -1 synth bass carrying the song's root movement, filtered lp 24 db/oct around 860 Hz so it stays taut rather than boomy; a short, punchy amp envelope. Written for Nakamori's 1989 album Cruise; gear and style approximated from the album's documented production (arranger/producer credits: Satoshi Takebe; period gear: Roland D-50, Yamaha DX7II/TX816, Akai S900 sampler, Roland R-8 drum machine). Japanese title: 風は空の彼方.
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
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Who played it
Nobody credited yet.
Samples
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Revision history
- Seedsystem