Yamaha DX7, lead
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 3 saw unison stack, unison 2, detune 20 cents, sub none, noise 0.01
- filter
- LP 12 dB/oct
- cutoff
- 2140 Hz
- resonance
- 0.43, drive 0.19
- envelope
- A 79 ms D 301 ms S 0.6 R 401 ms; slow filter opening over the intro, settles by the verse; filter env amount 0.41
- modulation
- lfo sh 2.67 Hz to pitch, glide 47 ms, mono
- effects
- plate reverb, short slap delay, crush
- notes
- The lead line is built from 3 saw unison stack, cut lp 12 db/oct near 2140 Hz with the filter slow filter opening over the intro, settles by the verse; it sits on top of the arrangement carrying the vocal-answering hook. Written for Nakamori's 1989 album Cruise; gear and style approximated from the album's documented production (arranger/producer credits: Satoshi Takebe; period gear: Roland D-50, Yamaha DX7II/TX816, Akai S900 sampler, Roland R-8 drum machine). Japanese title: 風は空の彼方.
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
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Who played it
Nobody credited yet.
Samples
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Revision history
- Seedsystem