Korg Trinity (V1), bass
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 2 saw -1 unison, tight, unison 1, detune 10 cents, sub square -1, noise 0.03
- filter
- LP 24 dB/oct
- cutoff
- 180 Hz
- resonance
- 0.16, drive 0.16
- envelope
- A 9 ms D 258 ms S 0.5 R 83 ms; snappy envelope-driven open/close per note; filter env amount 0.13
- modulation
- glide 118 ms, mono
- effects
- hall reverb, stereo chorus, drive
- notes
- The low end is a 2 saw -1 unison, tight synth bass carrying the song's root movement, filtered lp 24 db/oct around 180 Hz so it stays taut rather than boomy; a short, punchy amp envelope. Written for Nakamori's 1998 album Spoon; gear and style approximated from the album's documented production (arranger/producer credits: Ikurō Fujiwara / Origa / Yang Bang-ean; period gear: Roland XV-5080 and JV-2080 racks, Korg Trinity, layered with live strings).
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
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Who played it
Nobody credited yet.
Samples
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Revision history
- Seedsystem