Korg Triton Rack, bass
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 1 saw -1 + 1 square -2, unison 1, detune 12 cents, sub square -1, noise 0.04
- filter
- LP 24 dB/oct
- cutoff
- 220 Hz
- resonance
- 0.07, drive 0.08
- envelope
- A 11 ms D 205 ms S 0.4 R 109 ms; quick pluck-open on the attack, closes into the sustain; filter env amount -0.03
- modulation
- glide 2 ms, mono
- effects
- spring-adjacent plate reverb, subtle chorus, drive
- notes
- The low end is a 1 saw -1 + 1 square -2 synth bass carrying the song's root movement, filtered lp 24 db/oct around 220 Hz so it stays taut rather than boomy; a short, punchy amp envelope. Written for Nakamori's 2002 album Resonancia; gear and style approximated from the album's documented production (arranger/producer credits: Justin (Bna Productions circle); period gear: Roland Fantom and Korg Triton racks, four-on-the-floor Latin house programming).
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
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Who played it
Nobody credited yet.
Samples
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Revision history
- Seedsystem