Synth.Directory

Behringer PRO-ONE, bass

Unverified Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it

Settings

osc
1 saw + 1 square -1, unison 1, detune 12 cents, sub square -1, noise 0.06
filter
LP 24 dB/oct
cutoff
382 Hz
resonance
0.36, drive 0.06
envelope
A 2 ms D 90 ms S 0.7 R 60 ms; snaps on the attack; filter env amount 0.06
modulation
mono
effects
short delay, light reverb, none
notes
'Grace' from Erasure (1995): a mono synth-bass line anchoring the low end, built in the style of Emulator/Akai sampler layers over Roland and Korg analogue-modelled synths, Vince Clarke's ARP 2600 and Pro-One still in the rack for bass and lead duties. The patch leans on 1 saw + 1 square -1 through a LP 24 dB/oct filter, shaped for the track's uptempo feel.

Sources

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Images

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Samples

Recordings of the instrument set to these settings, made fresh by contributors. Never a clip of the record.

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Revision history

  • Seedsystem