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Native Instruments Massive, bass

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Contest: Native Instruments Massive played bass on Crack That by Getter (2013)

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Settings

osc
wavetable saw stack + square -1, unison 6, detune 17 cents, sub square -1, noise 0.08
filter
LP 24 dB/oct with formant morph
cutoff
2060 Hz
resonance
0.43, drive 0.67
envelope
A 12 ms D 205 ms S 0.85 R 390 ms; fast snap-open into a wobble/growl sweep; filter env amount 0.6
modulation
lfo sh 3 Hz to cutoff, glide 25 ms, mono
effects
short slapback delay, light bus saturation, fuzz
notes
For "Crack That" the bass patch layers a sub oscillator under a detuned unison stack, filtered and LFO-modulated to give the wobble/growl character central to this release. Gear is approximated from Native Instruments Massive and Sylenth1, the default wavetable/subtractive combo for OWSLA-and-Firepower-era 2011-2013 brostep producers.

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Samples

Recordings of the instrument set to these settings, made fresh by contributors. Never a clip of the record.

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Revision history

  • Seedsystem