Native Instruments Massive, bass
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- wavetable saw stack + square -1, unison 3, detune 28 cents, sub sine -2, noise 0.02
- filter
- LP 24 dB/oct with formant morph
- cutoff
- 1590 Hz
- resonance
- 0.51, drive 0.79
- envelope
- A 7 ms D 135 ms S 0.55 R 260 ms; fast snap-open into a wobble/growl sweep; filter env amount 0.65
- modulation
- lfo square 3.8 Hz to cutoff, glide 45 ms, mono
- effects
- tight sidechain to kick, subtle chorus on the sub, fuzz
- notes
- The bass on "Fallout" is a stacked wavetable/subtractive growl typical of this stretch of Getter's catalogue: a detuned saw layer riding a sine sub, run through a wobble LFO on the cutoff and pushed hard into distortion for the drop. Gear is approximated from Native Instruments Massive and Sylenth1, the default wavetable/subtractive combo for OWSLA-and-Firepower-era 2011-2013 brostep producers.
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
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Who played it
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Samples
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Revision history
- Seedsystem