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Spectrasonics Omnisphere, bass

Unverified Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it

Contest: Spectrasonics Omnisphere played bass on Purgatory by Getter (2018)

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Settings

osc
2 saw detuned + sub -1, unison 6, detune 29 cents, sub sine -2, noise 0.14
filter
LP 12 dB/oct into HP 12 dB/oct
cutoff
810 Hz
resonance
0.24, drive 0.83
envelope
A 15 ms D 80 ms S 0.5 R 120 ms; fast snap-open into a wobble/growl sweep; filter env amount 0.9
modulation
lfo sine 2.3 Hz to cutoff, glide 20 ms, mono
effects
bitcrush send on transients, no reverb, drive
notes
The bass on "Purgatory" is a stacked wavetable/subtractive growl typical of this stretch of Getter's catalogue: a detuned saw layer riding a sine sub, run through a wobble LFO on the cutoff and pushed hard into distortion for the drop. Gear is approximated from Serum and Omnisphere pads mixed with distorted guitar-style synth-bass, the sound Getter built for the Visceral era.

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Samples

Recordings of the instrument set to these settings, made fresh by contributors. Never a clip of the record.

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Revision history

  • Seedsystem