Synth.Directory

Spectrasonics Omnisphere, bass

Unverified Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it

Contest: Spectrasonics Omnisphere played bass on Release by Getter (2018)

What is wrong?

Reviewed by a person. Verified claims stay as they are until a reviewer decides.

Settings

osc
FM pair (sine carrier, saw mod) + sub -1, unison 3, detune 28 cents, sub sine -1, noise 0.07
filter
LP 24 dB/oct with formant morph
cutoff
1720 Hz
resonance
0.46, drive 0.37
envelope
A 8 ms D 215 ms S 0.7 R 320 ms; fast snap-open into a wobble/growl sweep; filter env amount 0.45
modulation
lfo sh 2.7 Hz to cutoff, glide 5 ms, mono
effects
parallel distortion bus, minimal reverb, octave
notes
The bass on "Release" is a stacked wavetable/subtractive growl typical of this stretch of Getter's catalogue: a detuned saw layer riding a sine sub, run through a wobble LFO on the cutoff and pushed hard into distortion for the drop. Gear is approximated from Serum and Omnisphere pads mixed with distorted guitar-style synth-bass, the sound Getter built for the Visceral era.

Sources

No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.

Images

No free-licence image yet.

Who played it

Nobody credited yet.

Log in to add a credit

Samples

Recordings of the instrument set to these settings, made fresh by contributors. Never a clip of the record.

No sample yet.

Revision history

  • Seedsystem