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Spectrasonics Omnisphere, bass

Bleed · Getter / Single (2018)

Unverified Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it

Contest: Spectrasonics Omnisphere played bass on Bleed by Getter (2018)

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Reviewed by a person. Verified claims stay as they are until a reviewer decides.

Settings

osc
2 saw -1 + noise layer, unison 4, detune 29 cents, sub sine -2, noise 0.24
filter
LP 24 dB/oct with formant morph
cutoff
1600 Hz
resonance
0.21, drive 0.35
envelope
A 12 ms D 125 ms S 0.65 R 150 ms; fast snap-open into a wobble/growl sweep; filter env amount 0.65
modulation
lfo sh 1 Hz to cutoff, glide 10 ms, mono
effects
short slapback delay, light bus saturation, drive
notes
The bass on "Bleed" is a stacked wavetable/subtractive growl typical of this stretch of Getter's catalogue: a detuned saw layer riding a sine sub, run through a wobble LFO on the cutoff and pushed hard into distortion for the drop. Gear is approximated from Serum and Omnisphere pads mixed with distorted guitar-style synth-bass, the sound Getter built for the Visceral era.

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Samples

Recordings of the instrument set to these settings, made fresh by contributors. Never a clip of the record.

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Revision history

  • Seedsystem