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Native Instruments Kontakt, bass

Unverified Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it

Contest: Native Instruments Kontakt played bass on Cool as Frick by Getter (2016)

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Settings

osc
FM pair (sine carrier, saw mod) + sub -1, unison 2, detune 13 cents, sub sine -2, noise 0.2
filter
LP 24 dB/oct with formant morph
cutoff
1700 Hz
resonance
0.5, drive 0.49
envelope
A 11 ms D 155 ms S 0.75 R 230 ms; fast snap-open into a wobble/growl sweep; filter env amount 0.75
modulation
lfo sine 2.9 Hz to cutoff, glide 30 ms, mono
effects
bitcrush send on transients, no reverb, crush
notes
The bass on "Cool as Frick" is a stacked wavetable/subtractive growl typical of this stretch of Getter's catalogue: a detuned saw layer riding a sine sub, run through a wobble LFO on the cutoff and pushed hard into distortion for the drop. Gear is approximated from Xfer Serum (adopted early by Getter's Firepower/OWSLA circle around 2014) layered with Massive for sub-bass and Battery/Kontakt drum layers.

Sources

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Samples

Recordings of the instrument set to these settings, made fresh by contributors. Never a clip of the record.

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Revision history

  • Seedsystem