Synth.Directory

Spectrasonics Omnisphere, bass

Unverified Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it

Contest: Spectrasonics Omnisphere played bass on Frontline by Getter (2018)

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Reviewed by a person. Verified claims stay as they are until a reviewer decides.

Settings

osc
2 saw -1 + noise layer, unison 5, detune 26 cents, sub sine -2, noise 0.19
filter
comb + LP 24 dB/oct
cutoff
1090 Hz
resonance
0.54, drive 0.44
envelope
A 11 ms D 50 ms S 0.55 R 300 ms; fast snap-open into a wobble/growl sweep; filter env amount 0.4
modulation
lfo sh 0.7 Hz to cutoff, glide 60 ms, mono
effects
tight sidechain to kick, subtle chorus on the sub, octave
notes
"Frontline" carries its low end on a mono synth-bass patch tuned for emo-trap / melodic bass: fast filter-envelope snaps open the growl on each hit, with drive stacked post-filter to add grit. Gear is approximated from Serum and Omnisphere pads mixed with distorted guitar-style synth-bass, the sound Getter built for the Visceral era.

Sources

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Samples

Recordings of the instrument set to these settings, made fresh by contributors. Never a clip of the record.

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Revision history

  • Seedsystem