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Spectrasonics Omnisphere, bass

Unverified Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it

Contest: Spectrasonics Omnisphere played bass on F*cking Society by Hardwell (2022)

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Settings

osc
1 saw -1 + FM saw layer, unison 1, detune 13 cents, sub sine -1, noise 0.09
filter
LP 24 dB/oct
cutoff
223 Hz
resonance
0.32, drive 0.44
envelope
A 1 ms D 83 ms S 0.63 R 68 ms; tight percussive snap synced to the kick, no sustain; filter env amount 0.57
modulation
lfo square 4.13 Hz to cutoff, mono
effects
dry, hard sidechain pump against the layered Kick 2 kick, minimal reverb, drive
notes
"F*cking Society", from Rebels Never Die sits in the bigroom-techno reinvention of Rebels Never Die and after. The bass is a mono sub-and-saw stack, filtered low and hard-sidechained to the kick so it pumps under the drop rather than fighting it, drive pushed just enough to read through a club system.

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Samples

Recordings of the instrument set to these settings, made fresh by contributors. Never a clip of the record.

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Revision history

  • Seedsystem