Roland JD-800, bass
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 2 saw + 1 square -1, unison 2, detune 9 cents, sub sine -1, noise 0.07
- filter
- LP 24 dB/oct
- cutoff
- 102 Hz
- resonance
- 0.32, drive 0.07
- envelope
- A 36 ms D 309 ms S 0.72 R 337 ms; fast open on transient, settles to sustained cutoff; filter env amount -0.55
- modulation
- glide 25 ms, mono
- effects
- short room reverb, light chorus, none
- notes
- A mono synth-bass line, sub-reinforced and tightly filtered to sit under the kick. Voiced on Yamaha EOS B900/B200 workstation-style patches typical of this record's production (trf 〜THIS IS THE TRUTH〜, 1993). Oscillator stack: 2 saw + 1 square -1, run through a LP 24 dB/oct filter with the envelope pushing cutoff for movement. Komuro wanted 'many different timbres across one song' with hip-hop colour to the fore; he recorded a real snare tuned high and combined it with a Roland JD preset he liked.
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
No free-licence image yet.
Who played it
Nobody credited yet.
Samples
No sample yet.
Revision history
- Seedsystem