Yamaha DX7, bass
未核实
根据知识库推断得出。尚无人引用来源；一个已接受的来源会使其变为「可能」，一个 A 级来源或两个 B 级来源即可核实它
设置
- osc
- 2 saw -1 unison, tight, unison 3, detune 14 cents, sub none, noise 0.05
- filter
- LP 24 dB/oct
- cutoff
- 360 Hz
- resonance
- 0.35, drive 0.1
- envelope
- A 9 ms D 140 ms S 0.4 R 65 ms; opens sharply then decays with the amp envelope; filter env amount 0.17
- modulation
- glide 24 ms, mono
- effects
- 1/8 dotted delay, small room reverb, none
- notes
- The low end is a 2 saw -1 unison, tight synth bass carrying the song's root movement, filtered lp 24 db/oct around 360 Hz so it stays taut rather than boomy; a short, punchy amp envelope. Written for Nakamori's 1984 album Anniversary; gear and style approximated from the album's documented production (arranger/producer credits: Ichizō Seo; period gear: Yamaha DX7 (newly ubiquitous in 1984 Japanese studios), Roland Juno-106 and a LinnDrum).
来源
尚无来源。主张需要一个 A 级来源，或两个独立的 B 级来源，才能被核实。
图片
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谁演奏了它
尚无署名。
音频样本
尚无音频样本。
修订历史
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