Korg Trinity (V1), lead

未核实根据知识库推断得出。尚无人引用来源；一个已接受的来源会使其变为「可能」，一个 A 级来源或两个 B 级来源即可核实它

设置

osc: 1 square + 1 saw, hard sync feel, unison 2, detune 0 cents, sub none, noise 0.09
filter: LP 12 dB/oct
cutoff: 1400 Hz
resonance: 0.18, drive 0.13
envelope: A 62 ms D 119 ms S 0.8 R 543 ms; slow filter opening over the intro, settles by the verse; filter env amount 0.42
modulation: lfo tri 2.71 Hz to pitch, glide 85 ms, mono
effects: spring-adjacent plate reverb, subtle chorus, none
notes: The lead line is built from 1 square + 1 saw, hard sync feel, cut lp 12 db/oct near 1400 Hz with the filter slow filter opening over the intro, settles by the verse; it sits on top of the arrangement carrying the vocal-answering hook. Written for Nakamori's 1998 album Spoon; gear and style approximated from the album's documented production (arranger/producer credits: Ikurō Fujiwara / Origa / Yang Bang-ean; period gear: Roland XV-5080 and JV-2080 racks, Korg Trinity, layered with live strings).

尚无来源。主张需要一个 A 级来源，或两个独立的 B 级来源，才能被核实。

尚无自由许可图片。

尚无署名。

以此设置录制的乐器录音，均由贡献者新近录制。绝非取自该曲目本身的片段。

尚无音频样本。