Korg Triton Rack, bass
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 2 saw -1 unison, tight, unison 2, detune 16 cents, sub square -1, noise 0.02
- filter
- LP 24 dB/oct
- cutoff
- 580 Hz
- resonance
- 0.18, drive 0.16
- envelope
- A 15 ms D 148 ms S 0.7 R 202 ms; opens sharply then decays with the amp envelope; filter env amount -0.56
- modulation
- glide 88 ms, mono
- effects
- spring-adjacent plate reverb, subtle chorus, drive
- notes
- The low end is a 2 saw -1 unison, tight synth bass carrying the song's root movement, filtered lp 24 db/oct around 580 Hz so it stays taut rather than boomy; a short, punchy amp envelope. Written for Nakamori's 2002 album Resonancia; gear and style approximated from the album's documented production (arranger/producer credits: Justin (Bna Productions circle); period gear: Roland Fantom and Korg Triton racks, four-on-the-floor Latin house programming).
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
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Who played it
Nobody credited yet.
Samples
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Revision history
- Seedsystem