Native Instruments Massive, bass
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 2 saw -1 unison, tight, unison 1, detune 8 cents, sub none, noise 0.11
- filter
- LP 24 dB/oct
- cutoff
- 580 Hz
- resonance
- 0.26, drive 0.14
- envelope
- A 7 ms D 206 ms S 0.7 R 179 ms; slow filter opening over the intro, settles by the verse; filter env amount -0.09
- modulation
- glide 19 ms, mono
- effects
- hall reverb, stereo chorus, none
- notes
- The low end is a 2 saw -1 unison, tight synth bass carrying the song's root movement, filtered lp 24 db/oct around 580 Hz so it stays taut rather than boomy; a short, punchy amp envelope. Written for Nakamori's 2015 album Fixer; gear and style approximated from the album's documented production (arranger/producer credits: Dream Productions / Brian Lee / Miran:Miran (Akina Nakamori); period gear: Native Instruments Massive/FM8-era software synths, modern EDM-pop programming). Japanese title: 雨月.
Sources
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Images
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Who played it
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Samples
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Revision history
- Seedsystem