Synth.Directory

Yamaha DX7, bass

Unverified Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it

Contest: Yamaha DX7 played bass on Natsu Hazama by Akina Nakamori (1984)

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Settings

osc
1 saw -1 + 1 square -2, unison 2, detune 6 cents, sub square -1, noise 0.03
filter
LP 24 dB/oct
cutoff
900 Hz
resonance
0.14, drive 0.07
envelope
A 8 ms D 132 ms S 0.2 R 98 ms; opens sharply then decays with the amp envelope; filter env amount -0.27
modulation
glide 118 ms, mono
effects
tape-style slap delay, plate reverb, drive
notes
The low end is a 1 saw -1 + 1 square -2 synth bass carrying the song's root movement, filtered lp 24 db/oct around 900 Hz so it stays taut rather than boomy; a short, punchy amp envelope. Written for Nakamori's 1984 album Anniversary; gear and style approximated from the album's documented production (arranger/producer credits: Ichizō Seo; period gear: Yamaha DX7 (newly ubiquitous in 1984 Japanese studios), Roland Juno-106 and a LinnDrum).

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Samples

Recordings of the instrument set to these settings, made fresh by contributors. Never a clip of the record.

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Revision history

  • Seedsystem