Yamaha DX7, bass
未核实
根据知识库推断得出。尚无人引用来源；一个已接受的来源会使其变为「可能」，一个 A 级来源或两个 B 级来源即可核实它
设置
- osc
- 1 saw -1 + 1 square -2, unison 2, detune 6 cents, sub square -1, noise 0.03
- filter
- LP 24 dB/oct
- cutoff
- 900 Hz
- resonance
- 0.14, drive 0.07
- envelope
- A 8 ms D 132 ms S 0.2 R 98 ms; opens sharply then decays with the amp envelope; filter env amount -0.27
- modulation
- glide 118 ms, mono
- effects
- tape-style slap delay, plate reverb, drive
- notes
- The low end is a 1 saw -1 + 1 square -2 synth bass carrying the song's root movement, filtered lp 24 db/oct around 900 Hz so it stays taut rather than boomy; a short, punchy amp envelope. Written for Nakamori's 1984 album Anniversary; gear and style approximated from the album's documented production (arranger/producer credits: Ichizō Seo; period gear: Yamaha DX7 (newly ubiquitous in 1984 Japanese studios), Roland Juno-106 and a LinnDrum).
来源
尚无来源。主张需要一个 A 级来源，或两个独立的 B 级来源，才能被核实。
图片
尚无自由许可图片。
谁演奏了它
尚无署名。
音频样本
尚无音频样本。
修订历史
- Seed系统