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Oberheim DMX, bass

未核实 根据知识库推断得出。尚无人引用来源;一个已接受的来源会使其变为「可能」,一个 A 级来源或两个 B 级来源即可核实它

争议:Oberheim DMX played bass on Genwaku Sarete by Akina Nakamori (1986)

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由人工审核。已核实的主张在审核员作出决定之前会保持不变。

设置

osc
2 saw -1 unison, tight, unison 4, detune 22 cents, sub none, noise 0.07
filter
LP 24 dB/oct
cutoff
520 Hz
resonance
0.11, drive 0.14
envelope
A 15 ms D 91 ms S 0.6 R 106 ms; gentle bow-in as the note sustains; filter env amount 0.51
modulation
glide 100 ms, mono
effects
plate reverb, short slap delay, drive
notes
The low end is a 2 saw -1 unison, tight synth bass carrying the song's root movement, filtered lp 24 db/oct around 520 Hz so it stays taut rather than boomy; a short, punchy amp envelope. Written for Nakamori's 1986 album Fushigi; gear and style approximated from the album's documented production (arranger/producer credits: Akina Nakamori (self-produced) with session arrangers; period gear: Yamaha DX7 and a Fairlight CMI IIx, Roland Juno-106, Oberheim DMX drum machine).

来源

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