Yamaha DX7, lead

未核实根据知识库推断得出。尚无人引用来源；一个已接受的来源会使其变为「可能」，一个 A 级来源或两个 B 级来源即可核实它

设置

osc: 1 square + 1 saw, hard sync feel, unison 3, detune 22 cents, sub none, noise 0.05
filter: LP 12 dB/oct
cutoff: 3240 Hz
resonance: 0.18, drive 0.14
envelope: A 47 ms D 256 ms S 0.6 R 566 ms; opens sharply then decays with the amp envelope; filter env amount -0.48
modulation: lfo tri 0.21 Hz to pitch, glide 79 ms, mono
effects: plate reverb, short slap delay, drive
notes: The lead line is built from 1 square + 1 saw, hard sync feel, cut lp 12 db/oct near 3240 Hz with the filter opens sharply then decays with the amp envelope; it sits on top of the arrangement carrying the vocal-answering hook. Written for Nakamori's 1986 album Crimson; gear and style approximated from the album's documented production (arranger/producer credits: Shiro Sagisu and others; period gear: Yamaha DX7, Fairlight CMI IIx, Roland Jupiter-8 and an early Roland D-50).

尚无来源。主张需要一个 A 级来源，或两个独立的 B 级来源，才能被核实。

尚无自由许可图片。

尚无署名。

以此设置录制的乐器录音，均由贡献者新近录制。绝非取自该曲目本身的片段。

尚无音频样本。