Yamaha DX7, lead

Ajustes

osc

1 square + 1 saw, hard sync feel, unison 4, detune 18 cents, sub none, noise 0.1

filter

LP 12 dB/oct

cutoff

4540 Hz

resonance

0.45, drive 0.04

envelope

A 67 ms D 389 ms S 0.8 R 524 ms; quick pluck-open on the attack, closes into the sustain; filter env amount -0.01

modulation

lfo tri 2 Hz to pitch, glide 31 ms, mono

effects

1/8 dotted delay, small room reverb, crush

notes

The lead line is built from 1 square + 1 saw, hard sync feel, cut lp 12 db/oct near 4540 Hz with the filter quick pluck-open on the attack, closes into the sustain; it sits on top of the arrangement carrying the vocal-answering hook. Written for Nakamori's 1988 album Femme Fatale; gear and style approximated from the album's documented production (arranger/producer credits: Alan Gorrie / Scott Wilk; period gear: Yamaha DX7II, Roland D-50, Emulator II sampler, Oberheim Matrix-12 — cut with Alan Gorrie (Average White Band) on the writing/arranging side, leaning the record toward synth-bass funk).

Fuentes

Aún sin fuente. Una reclamación necesita una fuente de grado A, o dos fuentes independientes de grado B, para verificarse.

Imágenes

Aún sin imagen de licencia libre.

Quién lo tocó

Aún no hay créditos.

Inicia sesión para añadir un crédito

Historial de revisiones

• 10 sep. 2026Seedsistema