Yamaha DX7, pad

未核实根据知识库推断得出。尚无人引用来源；一个已接受的来源会使其变为「可能」，一个 A 级来源或两个 B 级来源即可核实它

设置

osc: 3 saw slow-swell unison, unison 2, detune 18 cents, sub square -1, noise 0.07
filter: LP 24 dB/oct
cutoff: 2820 Hz
resonance: 0.21, drive 0.23
envelope: A 1039 ms D 222 ms S 0.7 R 2218 ms; opens sharply then decays with the amp envelope; filter env amount 0.27
modulation: lfo saw 3.37 Hz to cutoff
effects: 1/8 dotted delay, small room reverb, none
notes: A sustained pad of 3 saw slow-swell unison washes under the track, lp 24 db/oct filtered with a slow LFO breathing the cutoff, giving the chorus its width. Written for Nakamori's 1988 album Femme Fatale; gear and style approximated from the album's documented production (arranger/producer credits: Alan Gorrie / Scott Wilk; period gear: Yamaha DX7II, Roland D-50, Emulator II sampler, Oberheim Matrix-12 — cut with Alan Gorrie (Average White Band) on the writing/arranging side, leaning the record toward synth-bass funk).

尚无来源。主张需要一个 A 级来源，或两个独立的 B 级来源，才能被核实。

尚无自由许可图片。

尚无署名。

以此设置录制的乐器录音，均由贡献者新近录制。绝非取自该曲目本身的片段。

尚无音频样本。