Akai S1000, bass

未核实根据知识库推断得出。尚无人引用来源；一个已接受的来源会使其变为「可能」，一个 A 级来源或两个 B 级来源即可核实它

设置

osc: 2 saw -1 unison, tight, unison 2, detune 6 cents, sub sine -1, noise 0.1
filter: LP 24 dB/oct
cutoff: 380 Hz
resonance: 0.08
envelope: A 8 ms D 241 ms S 0.2 R 71 ms; gentle bow-in as the note sustains; filter env amount 0.76
modulation: glide 4 ms, mono
effects: tape-style slap delay, plate reverb, drive
notes: The low end is a 2 saw -1 unison, tight synth bass carrying the song's root movement, filtered lp 24 db/oct around 380 Hz so it stays taut rather than boomy; a short, punchy amp envelope. Written for Nakamori's 1995 album La Alteración; gear and style approximated from the album's documented production (arranger/producer credits: Yasunori Iwasaki / Takayuki Hattori; period gear: Korg Wavestation, Roland JD-800, Akai S1000 sampler — Latin-tinged synth-pop cut partly for the Spanish-language market).

尚无来源。主张需要一个 A 级来源，或两个独立的 B 级来源，才能被核实。

尚无自由许可图片。

尚无署名。

以此设置录制的乐器录音，均由贡献者新近录制。绝非取自该曲目本身的片段。

尚无音频样本。