Korg Trinity (V1), bass

未核实根据知识库推断得出。尚无人引用来源；一个已接受的来源会使其变为「可能」，一个 A 级来源或两个 B 级来源即可核实它

设置

osc: 2 saw -1 unison, tight, unison 4, detune 32 cents, sub none, noise 0.07
filter: LP 24 dB/oct
cutoff: 860 Hz
resonance: 0.35, drive 0.03
envelope: A 6 ms D 203 ms S 0.6 R 56 ms; opens sharply then decays with the amp envelope; filter env amount -0.15
modulation: glide 31 ms, mono
effects: spring-adjacent plate reverb, subtle chorus, drive
notes: The low end is a 2 saw -1 unison, tight synth bass carrying the song's root movement, filtered lp 24 db/oct around 860 Hz so it stays taut rather than boomy; a short, punchy amp envelope. Written for Nakamori's 1998 album Spoon; gear and style approximated from the album's documented production (arranger/producer credits: Ikurō Fujiwara / Origa / Yang Bang-ean; period gear: Roland XV-5080 and JV-2080 racks, Korg Trinity, layered with live strings).

尚无来源。主张需要一个 A 级来源，或两个独立的 B 级来源，才能被核实。

尚无自由许可图片。

尚无署名。

以此设置录制的乐器录音，均由贡献者新近录制。绝非取自该曲目本身的片段。

尚无音频样本。