Korg Trinity (V1), bass
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 1 square -1, PWM, unison 1, detune 32 cents, sub none, noise 0.1
- filter
- LP 24 dB/oct
- cutoff
- 660 Hz
- resonance
- 0.25, drive 0.07
- envelope
- A 14 ms D 150 ms S 0.7 R 100 ms; quick pluck-open on the attack, closes into the sustain; filter env amount 0.37
- modulation
- glide 48 ms, mono
- effects
- 1/8 dotted delay, small room reverb, drive
- notes
- The low end is a 1 square -1, PWM synth bass carrying the song's root movement, filtered lp 24 db/oct around 660 Hz so it stays taut rather than boomy; a short, punchy amp envelope. Written for Nakamori's 1998 album Spoon; gear and style approximated from the album's documented production (arranger/producer credits: Ikurō Fujiwara / Origa / Yang Bang-ean; period gear: Roland XV-5080 and JV-2080 racks, Korg Trinity, layered with live strings).
Sources
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Images
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Who played it
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Samples
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Revision history
- Seedsystem