Korg Trinity (V1), bass
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 2 saw -1 unison, tight, unison 3, detune 28 cents, sub none, noise 0.04
- filter
- LP 24 dB/oct
- cutoff
- 260 Hz
- resonance
- 0.27, drive 0.24
- envelope
- A 5 ms D 90 ms S 0.7 R 143 ms; opens sharply then decays with the amp envelope; filter env amount 0.06
- modulation
- glide 30 ms, mono
- effects
- plate reverb, short slap delay, drive
- notes
- The low end is a 2 saw -1 unison, tight synth bass carrying the song's root movement, filtered lp 24 db/oct around 260 Hz so it stays taut rather than boomy; a short, punchy amp envelope. Written for Nakamori's 1998 album Spoon; gear and style approximated from the album's documented production (arranger/producer credits: Ikurō Fujiwara / Origa / Yang Bang-ean; period gear: Roland XV-5080 and JV-2080 racks, Korg Trinity, layered with live strings).
Sources
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Images
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Who played it
Nobody credited yet.
Samples
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Revision history
- Seedsystem