Korg Triton Rack, bass

未核实根据知识库推断得出。尚无人引用来源；一个已接受的来源会使其变为「可能」，一个 A 级来源或两个 B 级来源即可核实它

设置

osc: 2 saw -1 unison, tight, unison 1, detune 0 cents, sub square -1, noise 0.02
filter: LP 24 dB/oct
cutoff: 600 Hz
resonance: 0.3, drive 0.18
envelope: A 5 ms D 79 ms S 0.6 R 127 ms; gentle bow-in as the note sustains; filter env amount -0.5
modulation: glide 90 ms, mono
effects: stereo chorus, medium hall reverb, drive
notes: The low end is a 2 saw -1 unison, tight synth bass carrying the song's root movement, filtered lp 24 db/oct around 600 Hz so it stays taut rather than boomy; a short, punchy amp envelope. Written for Nakamori's 2002 album Resonancia; gear and style approximated from the album's documented production (arranger/producer credits: Justin (Bna Productions circle); period gear: Roland Fantom and Korg Triton racks, four-on-the-floor Latin house programming). Japanese title: 風と太陽.

尚无来源。主张需要一个 A 级来源，或两个独立的 B 级来源，才能被核实。

尚无自由许可图片。

尚无署名。

以此设置录制的乐器录音，均由贡献者新近录制。绝非取自该曲目本身的片段。

尚无音频样本。