Korg Triton Rack, lead
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 3 saw unison stack, unison 1, detune 32 cents, sub none, noise 0.03
- filter
- LP 12 dB/oct
- cutoff
- 5300 Hz
- resonance
- 0.32
- envelope
- A 64 ms D 267 ms S 0.9 R 418 ms; gentle bow-in as the note sustains; filter env amount -0.55
- modulation
- lfo sine 3.15 Hz to pitch, glide 89 ms, mono
- effects
- tape-style slap delay, plate reverb, drive
- notes
- The lead line is built from 3 saw unison stack, cut lp 12 db/oct near 5300 Hz with the filter gentle bow-in as the note sustains; it sits on top of the arrangement carrying the vocal-answering hook. Written for Nakamori's 2002 album Resonancia; gear and style approximated from the album's documented production (arranger/producer credits: Justin (Bna Productions circle); period gear: Roland Fantom and Korg Triton racks, four-on-the-floor Latin house programming). Japanese title: 風と太陽.
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
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Who played it
Nobody credited yet.
Samples
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Revision history
- Seedsystem