Korg Triton Rack, lead

未核实根据知识库推断得出。尚无人引用来源；一个已接受的来源会使其变为「可能」，一个 A 级来源或两个 B 级来源即可核实它

设置

osc: 3 saw unison stack, unison 1, detune 32 cents, sub none, noise 0.03
filter: LP 12 dB/oct
cutoff: 5300 Hz
resonance: 0.32
envelope: A 64 ms D 267 ms S 0.9 R 418 ms; gentle bow-in as the note sustains; filter env amount -0.55
modulation: lfo sine 3.15 Hz to pitch, glide 89 ms, mono
effects: tape-style slap delay, plate reverb, drive
notes: The lead line is built from 3 saw unison stack, cut lp 12 db/oct near 5300 Hz with the filter gentle bow-in as the note sustains; it sits on top of the arrangement carrying the vocal-answering hook. Written for Nakamori's 2002 album Resonancia; gear and style approximated from the album's documented production (arranger/producer credits: Justin (Bna Productions circle); period gear: Roland Fantom and Korg Triton racks, four-on-the-floor Latin house programming). Japanese title: 風と太陽.

尚无来源。主张需要一个 A 级来源，或两个独立的 B 级来源，才能被核实。

尚无自由许可图片。

尚无署名。

以此设置录制的乐器录音，均由贡献者新近录制。绝非取自该曲目本身的片段。

尚无音频样本。