Korg Triton Rack, pad
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 2 saw + 1 tri, wide detune, unison 2, detune 8 cents, sub square -1
- filter
- LP 24 dB/oct
- cutoff
- 2360 Hz
- resonance
- 0.27, drive 0.21
- envelope
- A 553 ms D 844 ms S 0.7 R 2054 ms; gentle bow-in as the note sustains; filter env amount 0.73
- modulation
- lfo tri 0.26 Hz to cutoff
- effects
- spring-adjacent plate reverb, subtle chorus, none
- notes
- A sustained pad of 2 saw + 1 tri, wide detune washes under the track, lp 24 db/oct filtered with a slow LFO breathing the cutoff, giving the chorus its width. Written for Nakamori's 2002 album Resonancia; gear and style approximated from the album's documented production (arranger/producer credits: Justin (Bna Productions circle); period gear: Roland Fantom and Korg Triton racks, four-on-the-floor Latin house programming). Japanese title: 風と太陽.
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
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Who played it
Nobody credited yet.
Samples
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Revision history
- Seedsystem