Korg Triton Rack, pad

未核实根据知识库推断得出。尚无人引用来源；一个已接受的来源会使其变为「可能」，一个 A 级来源或两个 B 级来源即可核实它

设置

osc: 2 saw + 1 tri, wide detune, unison 2, detune 8 cents, sub square -1
filter: LP 24 dB/oct
cutoff: 2360 Hz
resonance: 0.27, drive 0.21
envelope: A 553 ms D 844 ms S 0.7 R 2054 ms; gentle bow-in as the note sustains; filter env amount 0.73
modulation: lfo tri 0.26 Hz to cutoff
effects: spring-adjacent plate reverb, subtle chorus, none
notes: A sustained pad of 2 saw + 1 tri, wide detune washes under the track, lp 24 db/oct filtered with a slow LFO breathing the cutoff, giving the chorus its width. Written for Nakamori's 2002 album Resonancia; gear and style approximated from the album's documented production (arranger/producer credits: Justin (Bna Productions circle); period gear: Roland Fantom and Korg Triton racks, four-on-the-floor Latin house programming). Japanese title: 風と太陽.

尚无来源。主张需要一个 A 级来源，或两个独立的 B 级来源，才能被核实。

尚无自由许可图片。

尚无署名。

以此设置录制的乐器录音，均由贡献者新近录制。绝非取自该曲目本身的片段。

尚无音频样本。