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Korg Triton, arp

Unverified Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it

Contest: Korg Triton played arp on Rule by Ayumi Hamasaki (2009)

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Settings

osc
1 square -1 + 1 saw, unison 1, detune 6 cents, sub none, noise 0.01
filter
LP 12 dB/oct
cutoff
1258 Hz
resonance
0.48, drive 0.16
envelope
A 1 ms D 49 ms S 0.41 R 49 ms; each step gated tight, cutoff popping open on the accented steps; filter env amount 0.49
modulation
lfo sh 8.2 Hz to cutoff, mono
effects
synced eighth-note delay and light reverb to keep the sequence propulsive without smearing it, none
notes
a sequenced/arpeggiated synth part driving the groove on "Rule" (an uptempo Avex dance-pop cut from Next Level), credited to Miki Watanabe. Built from Access Virus TI2 trance leads over Yamaha Motif XF pads and Korg Triton/Kronos strings, the Next Level/Party Queen-era Avex dance-pop rig the brief calls out by name. The patch leans on filter movement over the phrase rather than a static tone, matching the arrangement's build.

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Samples

Recordings of the instrument set to these settings, made fresh by contributors. Never a clip of the record.

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Revision history

  • Seedsystem