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Behringer PRO-ONE, bass

未核实 根据知识库推断得出。尚无人引用来源;一个已接受的来源会使其变为「可能」,一个 A 级来源或两个 B 级来源即可核实它

争议:Behringer PRO-ONE played bass on Like Zsa Zsa Zsa Gabor by Erasure (1988)

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由人工审核。已核实的主张在审核员作出决定之前会保持不变。

设置

osc
1 saw + 1 square -1, unison 1, detune 18 cents, sub square -1, noise 0.02
filter
LP 24 dB/oct
cutoff
407 Hz
resonance
0.37, drive 0.12
envelope
A 2 ms D 90 ms S 0.7 R 60 ms; snaps on the attack; filter env amount -0.08
modulation
lfo tri 0.45 Hz to cutoff, mono
effects
short delay, light reverb, drive
notes
'Like Zsa Zsa Zsa Gabor' from The Innocents (1988): a mono synth-bass line anchoring the low end, built in the style of ARP 2600 and Roland System 100 for bass/lead, Sequential Pro-One for mono leads, Yamaha CS-80 for pads, Emulator II sampler for hits and strings. The patch leans on 1 saw + 1 square -1 through a LP 24 dB/oct filter, shaped for the track's uptempo feel.

来源

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图片

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音频样本

以此设置录制的乐器录音,均由贡献者新近录制。绝非取自该曲目本身的片段。

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