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Behringer Edge, arp

Unverified Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it

Contest: Behringer Edge played arp on The Hunter by Gary Numan (1984)

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Reviewed by a person. Verified claims stay as they are until a reviewer decides.

Settings

osc
1 saw -1 + 1 square -1, unison 1, detune 14 cents, sub none
filter
LP 24 dB/oct
cutoff
4717 Hz
resonance
0.49, drive 0.2
envelope
A 1 ms D 80 ms S 0.4 R 150 ms; opens on the attack then eases back across the phrase; filter env amount 0.42
modulation
glide 3 ms, mono
effects
tape delay, plate reverb, none
notes
a sequenced/arpeggiated figure runs under the vocal, short and clipped, giving the track its propulsive, mechanical motion. Berserker's harder industrial undertones come from the PPG Wave's digital-wave stabs layered over Prophet-5 bass, a rougher, colder sound than the pop-era albums

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Samples

Recordings of the instrument set to these settings, made fresh by contributors. Never a clip of the record.

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Revision history

  • Seedsystem