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Native Instruments Massive, bass

Papercuts · Getter / Single (2013)

Unverified Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it

Contest: Native Instruments Massive played bass on Papercuts by Getter (2013)

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Settings

osc
2 saw -1 + noise layer, unison 3, detune 30 cents, sub square -1, noise 0.22
filter
LP 24 dB/oct
cutoff
1100 Hz
resonance
0.54, drive 0.73
envelope
A 4 ms D 150 ms S 0.4 R 330 ms; fast snap-open into a wobble/growl sweep; filter env amount 0.65
modulation
lfo sine 2.1 Hz to cutoff, mono
effects
tight sidechain to kick, subtle chorus on the sub, drive
notes
The bass on "Papercuts" is a stacked wavetable/subtractive growl typical of this stretch of Getter's catalogue: a detuned saw layer riding a sine sub, run through a wobble LFO on the cutoff and pushed hard into distortion for the drop. Gear is approximated from Native Instruments Massive and Sylenth1, the default wavetable/subtractive combo for OWSLA-and-Firepower-era 2011-2013 brostep producers.

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Samples

Recordings of the instrument set to these settings, made fresh by contributors. Never a clip of the record.

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Revision history

  • Seedsystem