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Native Instruments Massive, bass

Sin verificar Deducido de la base de conocimiento. Nadie ha citado aún una fuente; una fuente aceptada la hace POSIBLEMENTE, una fuente de grado A o dos fuentes de grado B la verifican

Contest: Native Instruments Massive played bass on Papercuts by Getter (2013)

What is wrong?

Reviewed by a person. Verified claims stay as they are until a reviewer decides.

Ajustes

osc
2 saw -1 + noise layer, unison 3, detune 30 cents, sub square -1, noise 0.22
filter
LP 24 dB/oct
cutoff
1100 Hz
resonance
0.54, drive 0.73
envelope
A 4 ms D 150 ms S 0.4 R 330 ms; fast snap-open into a wobble/growl sweep; filter env amount 0.65
modulation
lfo sine 2.1 Hz to cutoff, mono
effects
tight sidechain to kick, subtle chorus on the sub, drive
notes
The bass on "Papercuts" is a stacked wavetable/subtractive growl typical of this stretch of Getter's catalogue: a detuned saw layer riding a sine sub, run through a wobble LFO on the cutoff and pushed hard into distortion for the drop. Gear is approximated from Native Instruments Massive and Sylenth1, the default wavetable/subtractive combo for OWSLA-and-Firepower-era 2011-2013 brostep producers.

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Imágenes

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Muestras

Grabaciones del instrumento ajustado así, hechas de forma fresca por colaboradores. Nunca un fragmento del disco.

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Historial de revisiones

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