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Ableton Operator, bass

All Material Is Copyright · Interplanetary Criminal / Singel (2018)

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Contest: Ableton Operator played bass on All Material Is Copyright by Interplanetary Criminal (2018)

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Pengaturan

osc
2 saw -3 detuned, unison 2, detune 9 cents, sub square -1, noise 0.08
filter
LP 24 dB/oct
cutoff
120 Hz
resonance
0.131, drive 0.214
envelope
A 2 ms D 57 ms S 0.59 R 39 ms; tracks the groove's swung 16ths, brightening on the accented steps; filter env amount 0.69
modulation
lfo sine 4.97 Hz to pw, glide 11 ms, mono
effects
short 1/8 slap delay, kept mostly dry and mono for club translation, drive
notes
"All Material Is Copyright" from the "All Material Is Copyright" release: carries the groove: a mono 2 saw -3 detuned bassline, filtered LP 24 dB/oct around 120Hz with res 0.131, with a square -1 sub layer reinforcing the low end, shaped to sit tight under the kick and swung hats. Synth: approximated from Interplanetary Criminal's early bedroom-producer years (SoundCloud-era lo-fi house, 2015-2018): Ableton Live's stock Operator/Analog instruments and free VSTs while studying at the School of Sound Recording in Manchester.

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