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Oxford Synthesiser Company Oscar, arp

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Contest: Oxford Synthesiser Company Oscar played arp on Chase (Midnight Express Theme) by Giorgio Moroder (1978)

What is wrong?

Reviewed by a person. Verified claims stay as they are until a reviewer decides.

Ajustes

osc
1 saw, unison 1, detune 0 cents
filter
LP 24 dB/oct
cutoff
1600 Hz
resonance
0.4
envelope
A 1 ms D 25 ms S 0.85 R 20 ms; tight pulsing 16th-note sequence, filter opens slightly as the piece builds in intensity
modulation
mono
effects
none, light delay on accented hits, drive
notes
Moroder scored the film's tense chase sequence with the same sequenced-Moog technique that made I Feel Love a landmark, and the approach won him an Academy Award; his account of building the sequence is well documented in interviews. Keep the pulse mechanically tight and let intensity build only through filter and tempo, never through swing.

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Historial de revisiones

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