Yamaha DX7, pad
未核实
根据知识库推断得出。尚无人引用来源；一个已接受的来源会使其变为「可能」，一个 A 级来源或两个 B 级来源即可核实它
设置
- osc
- 2 saw -1 (digital-modelled), unison 5, detune 25 cents, sub none, noise 0.05
- filter
- LP 24 dB/oct
- cutoff
- 2560 Hz
- resonance
- 0.11, drive 0.05
- envelope
- A 840 ms D 960 ms S 0.65 R 1150 ms; slow open on the intro swell, static through the sustain; filter env amount 0.31
- modulation
- lfo sine 0.6 Hz to pitch
- effects
- digital chorus, bright plate reverb, none
- notes
- a swelling string-machine pad on this Big Thing (1988) track, built on Fairlight CMI Series III and Yamaha DX7, the digital rig documented on the Big Thing sessions. The LP 24 dB/oct filter and 2 saw -1 (digital-modelled) oscillator stack sit inside the band's pop rock/dance sound for this era, shaped and modulated to suit the part's role in the arrangement.
来源
尚无来源。主张需要一个 A 级来源，或两个独立的 B 级来源，才能被核实。
图片
尚无自由许可图片。
谁演奏了它
尚无署名。
音频样本
尚无音频样本。
修订历史
- Seed系统