Yamaha DX7, lead
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 2 saw -1 (digital-modelled), unison 3, detune 14 cents, sub none
- filter
- LP 24 dB/oct
- cutoff
- 2820 Hz
- resonance
- 0.37, drive 0.05
- envelope
- A 55 ms D 170 ms S 0.79 R 340 ms; opens with the phrase then settles; filter env amount 0.27
- modulation
- lfo sine 5.8 Hz to pitch, mono
- effects
- doubled with a short stereo delay, plate reverb, none
- notes
- a synth lead line on this Big Thing (1988) track, built on Fairlight CMI Series III and Yamaha DX7, the digital rig documented on the Big Thing sessions. The LP 24 dB/oct filter and 2 saw -1 (digital-modelled) oscillator stack sit inside the band's pop rock/dance sound for this era, shaped and modulated to suit the part's role in the arrangement.
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
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Who played it
Nobody credited yet.
Samples
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Revision history
- Seedsystem