Yamaha DX7, pad
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 2 saw -1 (digital-modelled), unison 2, detune 21 cents, sub none, noise 0.05
- filter
- LP 24 dB/oct
- cutoff
- 1900 Hz
- resonance
- 0.43, drive 0.05
- envelope
- A 740 ms D 870 ms S 0.78 R 1320 ms; slow open on the intro swell, static through the sustain; filter env amount 0.28
- modulation
- lfo sine 0.5 Hz to pitch
- effects
- digital chorus, bright plate reverb, none
- notes
- a swelling string-machine pad on this Big Thing (1988) track, built on Fairlight CMI Series III and Yamaha DX7, the digital rig documented on the Big Thing sessions. The LP 24 dB/oct filter and 2 saw -1 (digital-modelled) oscillator stack sit inside the band's pop rock/dance sound for this era, shaped and modulated to suit the part's role in the arrangement.
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
No free-licence image yet.
Who played it
Nobody credited yet.
Samples
No sample yet.
Revision history
- Seedsystem