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Behringer PRO-ONE, bass

Unverified Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it

Contest: Behringer PRO-ONE played bass on Special Forces by Front 242 (1984)

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Reviewed by a person. Verified claims stay as they are until a reviewer decides.

Settings

osc
1 saw + sub -1, unison 1, detune 20 cents, sub sine -1
filter
LP 24 dB/oct
cutoff
364 Hz
resonance
0.46, drive 0.32
envelope
A 1 ms D 150 ms S 0 R 100 ms; fast open on each step, snaps closed before the next; filter env amount 0.55
modulation
mono
effects
tape slap delay, minimal plate reverb, none
notes
'Special Forces' (1984): The Apocalypse Now-sampling closer, a tense bass pulse under dialogue samples and a hovering pad. The sequenced mono synth-bass line that carries the track, built on an 8-track analog rig -- Sequential Circuits Pro-One-style mono bass synth locked to a Roland step sequencer, as the album's own liner credits describe ('composed and produced on eight tracks'). Confidence is inferred from Front 242's documented studio setup for this record, not a measured patch capture.

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Samples

Recordings of the instrument set to these settings, made fresh by contributors. Never a clip of the record.

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Revision history

  • Seedsystem