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Roland Fantom, bass

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Contest: Roland Fantom played bass on Good Love by Mary J. Blige (2009)

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Settings

osc
1 saw -1 + sub sine -1, unison 2, detune 15 cents, sub sine -1
filter
LP 24 dB/oct
cutoff
245 Hz
resonance
0.128, drive 0.27
envelope
A 8.8 ms D 81.1 ms S 0.938 R 121.2 ms; opens on the attack then settles to the sustained cutoff; filter env amount 0.44
modulation
glide 6 ms, mono
effects
stereo chorus, bright plate reverb, sidechained pad pump, none
notes
a mono synth bass carries the low end on "Good Love", built the way Rodney Jerkins, Bryan-Michael Cox and The-Dream's Fantom-X and Reason-built keyboard programming would have cut it for Stronger with Each Tear (2009). Waveform: 1 saw -1 + sub sine -1, filtered through a LP 24 dB/oct stage around 245 Hz; the envelope (8.8/81.1/0.938/121.2 ms) is snappy and percussive to sit under Mary J. Blige's vocal without crowding it.

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Samples

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Revision history

  • Seedsystem